The Subject Redux

Today my cinematographer from Pantomiming and The Subject, Chad Einwalter, e-mailed me some still photographs from the set of The Subject. These stills were taken with a digital camera (not sure which brand) that had been set to correct for exposure based upon the film speed we were using. It was pretty cool, but I wouldn’t depend on these photos as the ultimate guide for what the movie will look like once it gets back from the lab. Either way, here’s a sneak preview at the film Matter of Chance plans to enter in the Thriller challenge for Screen Wars this fall.

That first screen capture is actually similar to a shot that will appear in the final film. It’s basically a close-up of the subject (played by Johnny Summers) as he looks at all of the psychological tests laid out before him.

This next screen capture is just myself, looking goofy.

This screen capture is of the scientists as they stand behind the glass window inside the “protection booth”. From left to right we have Joshua J. Provost, Mike Moehtar (sitting), Evan Neil and Evangeline Provost. They were kind enough to sit in on the film for the day and provide me some much-needed bizarreness. Mike in particular dove into his role as the Scientist, acting robotic and contorted in his movements and expressions. In between takes he had to get up though and come help us out with the camera, because he was also the 1st AC. Mike even served as DP for a few shots, framing the camera and making exposure suggestions.

This shot is myself with Chad as we look over the remaining shots. Sitting in the chair is our gaffer, James. This may have been earlier in the day when we were still fresh and eager to see the film through. By the end of the day, it wasn’t so much an eager desire to see the film through that propelled us. No, it was more like a hell bent fury to better the film before it bettered us.

This final shot is another mimicked screen capture from the film – a shot of the subject as he slams his violent drawing of a tiger getting its head blown off against the window of the observation room. The Scientist looking on with shock and disgust is Angie Provost. She really got into her character at this part and provided the perfect blend of professionalism, fear and outright disgust.

Starting now

And to answer your question...no, there will not be filler posts like this. I'll try and make it as meaningful as possible. From here on out.

Everyone's Alone

I'm going to try and make this a weekly thing. I'll post my favorite song of the week, plus lyrics, for all to enjoy.

This week's song is Bowl of Oranges by Bright Eyes.

The rain it started tappin'
On the window near my bed
There was a loophole in my dreamin'
So I got out of it
And to my surprise my eyes were wide and already open
Just my nightstand and my dresser
Where those nightmares had just been
So I dressed myself and left then
Out into the gray streets
But everything seemed different
And completely new to me
The sky the trees, houses, buildings, even my own body
And each person I encountered
I couldn't wait to meet
And I came upon a doctor
Who appeared in quite poor health
I said there's nothing I can do for you that you can't do for yourself
He said oh yes you can, just hold my hand, I think that, that would help
so I sat with him awhile
Then I asked him how he felt
He said I think I'm cured
No, in fact, I'm sure of it
Thank you, stranger
For your therapeutic smile
So that's how I learned the lesson
That everyone's alone
And your eyes must do some raining
If you're ever gonna grow
And when crying don't help
You can't compose yourself
It's best to compose a poem
An honest verse of longing
Or a simple song of hope
That's why I'm singing baby don't worry
'Cause now I got your back
And every time you feel like crying
I'm gonna try and make you laugh
And if I can't
If it just hurts too bad
Then we'll wait for it to pass
And I will keep you company for those days so long and black
And we'll keep working on the problem
We know we'll never solve
Of love's un-even remainders
Our lives are fractions of a whole
But if the world could remain within a frame
Like a painting on a wall
Then I think we'd see the beauty then
We'd stand staring in awe
At our still lives posed
Like a bowl of oranges
Like a story told
By the fault-lines in the soil

Only 477 posts or so to go!

Suddenly I feel the urge to push this blog up to its 1000th post. Can I do it before the summer is out? Nay. I say I can do it before the end of next month. This will be my next "write a screenplay in a month", my race around the world in 80 days. Get the blog up to a 1000 posts. Thoughts?

I'm not a hit, I'm a free man!

Yesterday, while we were working on the vocals for Arizona Citizen, Josh, Gabe and I started talking a little bit about the Assassin Movie, staring our friend Marco. This is an idea that sort of arose months ago when we first found out about the Screen Wars challenge. Marco has such an amazing presence and character that he practically begs to be put in a movie. And, for a little while, it looked like we might develop the Marco film as an action piece for the currently running Screen Wars Action Challenge. But as we kicked around the idea more and more and tried to develop some basic thoughts on the character, we decided that Marco’s story seemed to fit more in step with a drama then an action.
So, here we are. Three Western films, each heralded by one of us, have been completed. The Thriller film is in the can. And the action film is currently lined up as a potential competitor in the final round of the Screen Wars action challenge. What’s left but Marco’s film?
As we were talking about the ideas for the film yesterday, Gabe mentioned that he had in fact been working on a screenplay. Josh also added that he had begun a collection of loose ideas about the character, story and structure. Gabe kept fairly quiet on his take of the story, but Josh revealed a great deal about setting, theme and plot development. He could probably sit down and write a solid screenplay in one fell swoop. Gabe even has a page or so done of his screenplay already.
Since the other two guys were shaping up ideas on this story, I thought I might as well give it a try. At the very least, I can throw in something that will give us one more angle to choose from. To be honest though, I don’t think our differing stories will be all that different. In the general sense, they’ll probably be exactly alike. It’s the specifics and cast of characters that may differ dramatically from Josh’s adaptation to Gabe’s and even my own (I know Gabe has a character in his story completely unlike a character in Josh’s or mine, and I have a character that I don’t think either one has considered).
Anyway, I began my pre-writing work today. Since Marco lives just around the corner, I thought I would take advantage of his close proximity and begin writing the story with his input to help shape the character. Although I haven’t gone over to his house to discuss the story yet (I’ll probably do that sometime this week when I have finished a rough draft) I have been e-mailing him about his character. And yes, already he has provided valuable input as to how he’d like to see his character portrayed.
Initially, I thought Marco’s Assassin Extraordinaire might be a very practical and realistic in his attitude towards life. He knows the score and the lowdown on everything he sees or comes into contact with. He analyzes all angles and knows everybody’s strength…because, as an assassin, that’s what he’s been taught to do. I also added a touch of sadness to his character in the form of regret over his current life. Although I’ve kept this attitude, Marco added another side to the coin. He suggested making his character very sarcastic and ironic. And so…with Marco's suggestions added to my initial "character attitude", our Assassin becomes brilliant, cold, calculating, but not without a hint of irony at the expense of less brilliant killers. And yet, this irony remains a shield, a detached, more comfortable way to view the somber world in which he lives.

Tonight, I’m going to write up Marco’s biography and hopefully the biographies of the other two main characters. What am I going to cover in this bio?

1. A day in the character’s life, from waking up to falling asleep.


2. The character’s past, reiterated in his or her words from the ground up


3. Key events in their life.


4. A directorial breakdown (as suggested by the book, Friendly Enemies).


5. And finally…an interview with the character.

After that, I’ll probably e-mail important parts from the bio to Marco and see what he thinks. Maybe he’ll have some more suggestions for me to work with.

Is all this really necessary for a 3-page screenplay? Absolutely not. But I’ve gotten so used to it that I feel weird if I don’t at least do it. I’ll probably discard most of this stuff, but already it’s helping me to shape the way the story will play in my mind (and hopefully, on the page).

Anyway, here are some random notes from my journal on this film:

...he has become more human, warm and even loving. This illustrates his transition out of the mob lifestyle and into the viewpoint of a normal, caring human being. One particular visual we use to capture this is his removal of his sunglasses. He’s revealing himself and letting his guard down.

He’s bringing things back into perspective; to him we aren’t dealing with percentages, we’re dealing with people.

He sees the world as too large, too organized, too conglomerated and far too impersonal. In a war between rival crime organizations, people like sons or daughters are simply collateral in the scheme of things. And this viewpoint sickens the Assassin.

The Assassin’s dramatic need is to (Plot point blanked out. Sorry...) so he can absolve or forgive himself from his life of death and violence and reclaim his lost innocence.

The Assassin’s attitude is realistic…and sardonic. He’s a realist because he’s been trained to be. He has to observe every situation acutely and understand it for what it really is. He’s had to be able to observe other hit men and assess dangerous threats as well as weed out weaklings from trained killers.

The Assassin is also very wry and sarcastic with regard to others. His inner-commentary on life has allowed him to see things for what they really are and take each situation with an ironic, deadpan humor. He’s guarded, cold and detached, but not without a sense of sardonic commentary on the stupidity or flawed thinking of others. In a sense, this is his armor from the gruesomeness of his profession. Instead of falling prey to sorrow, he decides to poke fun.

Now we'll see if I can finish the screenplay before the end of the week.

Late,

-Brock