10 and 9
10: Napoleon Dynamite
The film Napoleon Dynamite represents a range of opinions that is varied at best. Many hail it as the essential independent film of this generation; a masterful blend of style, oddity and uniqueness that remains a staple for the indie genre. Others simply label it as “a funny movie”, nothing more.
Napoleon Dynamite on the other hand stands as an essential film character for our generation. Whereas half of the characters expressed on this list will be taken from films that are much older then I, Napoleon stands as a character that was birthed under the cultural views and influence of our time. He’s a mixture of two ideals that have been revisited over the past few years. One being that kitsch is good, the other being “you guys are retarded”. Regarding kitsch - style and dress from the 80’s and 70’s has become fair game, and often preferable. With television like that 70’s show and Freaks and Geeks, Napoleon is the end product of a catalyst developed throughout the thread of the past few years. Bold ties, Afros, decidedly dorky glasses, he is the reestablishment of an old time fashioned after the needs of our current era.
His character on the other hand is unique and confused. The tagline to the film, “He's out to prove he's got nothing to prove”, seems to sum up the general feelings shared by many today. His spun tales of wolverines and unicorns are so unbelievable that he couldn’t possibly stand a chance of misleading us. His character is unique in the sense that he rivals in the unique. Ironically, he may also be a slandering of the unique, simply because of how he dresses and how he acts. Napoleon’s hit and miss, unassuming verbiage smacks of dialect expressed by younger kids throughout the mid 90’s. Such outlandish expressions as “You guys are retarded!” still manage to pop up every now and then.
But what earns him iconic status has been his assimilation into modern quotation. I hear people quoting Napoleon Dynamite all of the time. Sure, it gets a little old, but at least it’s taken some of the heat off Monty Python and the Holy Grail. Napoleon may have cemented himself in our minds through visual appearance and character, but his dialect earns him the label of “cinematic icon”.
9: HAL
Voiced by Douglas Rain, HAL represents the first time a cinematic character has stood for the “all seeing eye” in a film. Beforehand, most characters were probably stationed in the physical realm, but his character is unique in the sense that he has no physical body to speak of. He’s iconic however, due to his glowing red eye.
An interesting thing could be drawn from the bright orange (and later on blazing red) glow of that eye. One of the deepest held convictions behind humanity is that the further along we progress with technology, the more emotionless we become. The film’s astronauts are a true representation of this fear. Kubrick decided to shoot them in cold blues and dull grays for most of the film, and their personalities leave little for the viewer to take interest in. Ironically, the humans seemed to throw their emotions upon their technology when they progress beyond needing them. HAL is thus jealous, possessive, begging and aggressive. He is the raw and unadulterated emotion that humanity has come to forget. It is only later on in the film when Dave is threatened with death that his instincts for survival decide to kick in. Wisely, Kubrick begins to shoot Dave in bright oranges and yellows to heighten the emotional intensity of rediscovering humanity’s core.
HAL stands as the catalyst for this event, and his iconic status has elevated him into numerous pop culture references and jokes. Today he is the first image that comes to our mind when we think of Artificial Intelligence, and he is probably one of the more memorable characters taken out of a Kubrick film. Interestingly, David, the boy robot from Kubrick’s final work, A.I. was originally planned to be HAL in the early stages of life. Although the idea was tantalizing, it’s good that Kubrick left HAL alone in the confines of 2001. HAL was an iconic creation from the get go, and he remains one to this day.
4 comments:
Brock, capitol idea!
I'm not sold on ND. Time will tell if the catchphrases stick around. It's a solid pick for the 10 spot, to start the list, though. I'm sure Jer is giddy with glee.
HAL is an excellent choice. I may not have thought of HAL is I was putting together a list, but he is absolutely a character, he stole the show, in fact. All those fixed shots of that light, they were so telling. Yet, if you think about it, there is nothing going, and yet, so much going on. It was brilliance on Kubrick's part! Beyond HAL, I just loved the staid look and feel of the whole movie. It was so controlled, so calm and cool.
You're hitting on one of my favorite movies, and also a big influence. Actually, you made me realize just how much it is so. Perhaps my one contribution to The Glove Box was encouraging the playing up of the car as a character, the thought of shooting the car as you might shoot a person, and the concept of reverse shots back and forth similar to reaction shots.
Bringing it back to your selection, the first shot that shows the car in this light is in the first scene, a close up centered on the blinking headlight. I didn't realize it at the time, but now it's very clear that was an unintentional homage to HAL.
Yes, I know, HAL never blinked. He was so creepy that way.
Thanks! I thought it might be fun and interesting.
Regarding Napoleon Dynamite, I completely agree with you. He may continue to stick with us as the years move on, or maybe we'll have forgotten about him by this time next year. Like you said though, he was mostly just a nice way to start the list off. I'm not sure if he'll remain iconic, but he's earned 15 minutes.
As for HAL, I'm glad you mentioned the connection to The Glove Box. That's a nice piece of filmmaker's commentary for us to absorb. I couldn't quite place my finger on it, but when I was watching the film, I did notice a particular method to your use of the car. It seemed familiar, yet different.
I had noticed that you were a big fan of 2001 (I am too), but I didn't make the connection. In retrospect, it's a smart influence to have, especially for The Glove Box.
I love the look of 2001 as well. It's very nicely dulled. Hal does steal the show. I remember liking the film from the very first time I saw it, but I loved Hal the most. He's a great character, and he's also cool in the sense that one might discard him as being a character because of his body (or lack of). But he is, and a dangerous one at that.
At any rate, I hope HAL sets the tone for my choices: Characters not as respected as they should be.
Excellent start to the list. I have a feeling I'm going to really enjoy the ride this week.
As for ND, I truly think he has staying power. The way people flocked to this little film was incredible. It will get an even bigger boost when it makes its way to DVD and more people are exposed to the moon boots.
2001 rocks! I need to watch that again; it's been too long.
HAL, yes, excellent. Nappy-D, hmm, not in my book.
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